Description
Sacred concert. Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Uppsala-Magnificat (Lat./Dt.). Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. Composed circa 1665 (terminus ante quem). SWV 468. Duration 13 minutes. Carus Verlag #CV 20.468/00. Published by Carus Verlag (CA.2046800).
- Artist: Heinrich Schutz
- Instruments: SATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, 3 Trombones, Contrabass, Organ, [SATB/SATB Capell-Chor], 8 Instruments
- Format: Full score
- Genre: Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours
- Lead Time: 2 to 3 weeks
- Publisher: Carus Verlag
Description
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Heinrich Schütz (German: [ʃʏt͡s]; 18 October [O.S. 8 October] 1585 – 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered to be the first German opera, Dafne, performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores.
He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel.
== Early life ==
Schütz was born in Köstritz, the eldest son of Christoph Schütz and Euphrosyne Bieger.
In 1590 the family moved to Weißenfels, where his father managed the inn “Zum güldenen Ring”.
