Like as the hart desireth the waterbrooks Sheet Music


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Composed by Herbert Howells (1892-1983). Sacred choral – mixed voices. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 5′. Oxford University Press #9780193501638. Published by Oxford University Press (OU.9780193501638).

  • Artist: Herbert Howells
  • Instruments: SATB choir & organ
  • Format: vocal score
  • Genre: Sacred, Choral Leaflet
  • Lead Time: 1 to 2 weeks
  • Publisher: Oxford University Press


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Herbert Norman Howells (17 October 1892 – 23 February 1983) was an English composer, organist, and teacher, most famous for his large output of Anglican church music.

Howells was born in Lydney, Gloucestershire, the youngest of the six children of Oliver Howells, a plumber, painter, decorator and builder, and his wife Elizabeth. His father played the organ at the local Baptist church, and Herbert himself showed early musical promise, first deputising for his father, and then moving at the age of eleven to the local Church of England parish church as choirboy and unofficial deputy organist.The Howells family’s risky financial situation came to a head when Oliver filed for bankruptcy in September 1904, when Herbert was nearly 12. This was a deep humiliation in a small community at the time and one from which Howells never fully recovered. Financially assisted by a member of the family of Charles Bathurst, 1st Viscount Bledisloe who had taken an interest in the budding musician, Howells began music lessons in 1905 with Herbert Brewer, the organist of Gloucester Cathedral, and at sixteen became his articled pupil at the Cathedral alongside Ivor Novello and Ivor Gurney. The latter became a close friend, the pair going on long walks through the Gloucestershire countryside discussing their shared love of music and English literature.Another formative experience for the young Howells was the premiere in September 1910 at the Gloucester Three Choirs Festival of Ralph Vaughan Williams’ Fantasia on a Theme by Thomas Tallis. Howells liked to relate in after years how Vaughan Williams sat next to him for the remainder of the concert and shared his score of Edward Elgar’s The Dream of Gerontius with the awestruck aspiring composer.